This project focuses on the development of two sound devices designed for a musical composition centered on the theme of time. The first is a sound-spatial instrument based on electromagnetic tape mechanisms; the second is a repetitive digital system that creates temporal overlays.
The research explores sound not only as a temporal phenomenon but as a spatial one. We define acoustic space as the union of time and space articulated by sound: a sonic trajectory. Drawing from Pauline Oliveros’ theories on perception and the "illusion" of the present moment, the project seeks an alternative form of sonic transmission. The goal is to invite the viewer to move beyond prosaic, immediate understanding and instead find value in time through multiple perspectives, using both analog tape and digital systems simultaneously.
